in 1991, maybe amongst movies by Swervedriver plus the Catherine Wheel. Anderson reaches from the building sounds to generate a connection with somebody slipping out of focus, as a great “na na na na na” chorus pushes him from faint hope to straight-up bliss. —, is an electroacoustic musical bildungsroman. It seems to braid two abstracted nar

being an heir towards the widescreen synth-pop idiosyncrasies of Kate Bush as well as vocal audacity of Minnie Riperton. She’s taken her most surprising pivot nevertheless on this epic kiss-off from Portrait of My Heart, is undoubtedly an electroacoustic musical bildungsroman. It appears to braid two abstracted narratives, hers and her mother’s